Excerpt from the exhibition text for Blicka
Umeå Konsthall (2022)


For Peter, it is more about a combination of romanticisms depicting of the sublime and the more concrete study of light and landscape found in en plein air painting, giving the images a completely different expression and tone. The figure standing alone in the picture gazing out is not standing in a enveloping forest, but in an open rocky coastal landscape, where the sky and the looming horizon creates air and space. Every image in the suite Forecast Diaries is accompanied by an excerpt from the marine and coastal weather forecast, which is broadcast every day on Sveriges Radio. The factual listing of locations at sea along Sweden’s long coastline – along with the meteorological observations and prognoses – becomes a pragmatic poetry that seeps into the images:

In the Gulf of Bothnia and the Baltic Sea intermittent rain or showers with moderate to reduced visibility. Otherwise mostly clear visibility. Gale warning issued for Skagerrak, the south and southeast Baltic Sea, and the Gulf of Finland. Forecast for tomorrow morning. Skagerrak, Kattegatt western wind circa 8–13 meters per second, on eastern Skagerrak up to gale 15. Somewhat declining winds during the night.

The dynamic between pictures and words is a recurring feature in Peter’s work, the titles often working as an extension of the piece itself. One image depicting the devastation and regrowth after a wildfire, for example, can be called: Tändsticksskogens sköra minne står inför våra ofiltrerade blickar (“The fragile memory of the matchstick wood stands before our unfiltered gaze”). Among the scores of burnt tree trunks a lone person stands – here as in the other pictures a vicarious onlooker – trying to survey and comprehend what has happened. 

In the meeting between the image summoned by the title and the photograph itself, something bigger than the sum of the two parts emerges. Interestingly, this expansion happens between.

Niclas Östlind
Professor of Photography at HDK-Valand




From the Duo exhibition with Maria Friberg at Umeå Konsthall (2022)



© Peter Stridsberg 2025. All rights reserved.