Med roten himmelsträd hörs vindens andetag blicka mot min kind (2024)

610 x 343 cm
Pigment print mounted on mdf

In this photographic staging, I aim to highlight the duality of our encounter with nature—and with our own reflected expectations of the landscape’s role and function in our lives. As temporary visitors to nature, we are constantly drawn toward the uncertain horizon, where the landscape seems to end.

The scene reflects my interest in nature as a backdrop—a place where the boundary between fiction and reality becomes blurred. In recent years, I have worked on creating stagings that both reveal the constructed nature of the scene and simultaneously draw attention to the photographic gaze.

With this large-scale photographic work, I wanted the viewer to be able to sit down in the exhibition space and, for a moment, disappear into the northern coastal landscape—into the intersection between distance and background, where the illusion of the mirror reveals both surface and depth.

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